Gallery
The Metropolitan Museum of Art
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White Rectangles, Number 3, 1939, Oil on Canvas, The Metropolitan Museum of Art
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White Lines, 1941, Gouache on Paper, The Metropolitan Museum of Art
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Green Depth, 1944, Casein on canvas, The Metropolitan Museum of Art
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Shooting Stars, 1952, Glass, casein, and tempera on Masonite, The Metropolitan Museum of Art
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Daybreak, 1952, Oil on canvas, The Metropolitan Museum of Art
Art Institute of Chicago
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Quadrangles in Two Panes, 1945, Oil on Glass and Board, Art Institute of Chicago
National Gallery of Art
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Transfluent Lines, 1946, Mixed Media on corrugated glass and cardboard, National Gallery of Art
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Green Mass, 1950, Oil on Canvas, National Gallery of Art
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Zenith, 1953, Oil on Canvas, National Gallery of Art
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Study for “The Lapis”, I. Image from Dream, 1954, Watercolor with pen and ink on wove paper, National Gallery of Art
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Study for “The Lapis”, II. The Lapis in a Vertical Position, 1954, Watercolor with pen and ink on wove paper, National Gallery of Art
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Study for “The Lapis”, III. Vertical View of the Lapis from Above, 1954, Watercolor with pen and ink on wove paper, National Gallery of Art
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Study for “The Lapis”, IV. Renaissance Image of the World-View, 1954, Watercolor with pen and ink on wove paper, National Gallery of Art
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Study for “The Lapis”, V. The Image in Perspective, 1954, Watercolor with pen and ink on wove paper, National Gallery of Art
Museum of Modern Art
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Shadows with Painting, 1940, Oil on glass, over gouache and pencil and ink on cardboard with frame, Museum of Modern Art
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White Lines, 1942, Oil on vellum with marble dust, sand and other materials, Museum of Modern Art
Whitney Museum of American Art
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Boat Composite, 1932, Oil on Linen, Whitney Museum of American Art
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Abstract Composition, 1938, Graphite Pencil on Paper, Whitney Museum of American Art
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Abstract Composition, 1938, Graphite Pencil on Paper, Whitney Museum of American Art
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Oblique Progression, 1948, Oil, Enamel, and Ink on Canvas, Whitney Museum of American Art
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You, 1951, Oil, Enamel, Acrylic, Gold and Silver Leaf on Glass and Board, Whitney Museum of American Art
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Heart of Light, 1954, Oil on Linen, Whitney Museum of American Art
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Landscape of the Absolute, 1955, Oil and Enamel on Canvas, 40 3/16 × 50 1/8in, Whitney Museum of American Art
Boston Museum of Fine Arts
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Seven Red Squares, 1951, Oil on Canvas, 40×50 inches, Boston Museum of Fine Arts, Gift of Deborah and Ed Shein
Smithsonian American Art Museum
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Untitled (Boats at Cape Cod), 1932, Oil on Canvas, Smithsonian American Art Museum
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Sketch for Machine Composition #2, ca. 1936, Pencil and Crayon on Paper, Smithsonian American Art Museum
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Machine Composition #2, 1937, Oil on Canvas, Smithsonian American Art Museum
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Mecca, 1953, Oil on Canvas, Smithsonian American Art Museum
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Roselit Day, 1953, Oil on Canvas, Smithsonian American Art Museum
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The Celestial Gate Sways on the Ringing Swells, 1961, Oil on Canvas, Smithsonian American Art Museum
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Heart of Flame, n.d. Oil on Canvas, Smithsonian American Art Museum
Addison Gallery of American Art at Phillips Academy
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Light is Gold, 1951, Glass, Acrylic, Laquer, Casein, and Gold Leaf, 30 1/8 x 23 1/4 inches, Addison Gallery of American Art at Phillips Academy
Peggy Guggenheim Collection
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Reflection, 1943, Gold Leaf and Oil on Glass over Tempera on Boad, 15×14 inches, Peggy Guggenheim Collection
Toledo Museum of Art
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Projecting Planes, 1947, Oil on Canvas, Toledo Museum of Art
Baltimore Museum of Art
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Red Form, 1939-1940, Paint on Glass and Board; Artist’s original Gessoed and Painted Frame, Baltimore Museum of Art
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Red, Yellow and Blue, 1942, Oil on Canvas, Baltimore Museum of Art
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Omega, 1960, Etching and liftground etching; printed in black (intaglio), Baltimore Museum of Art
Vassar’s Frances Lehman Loeb Art Center
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Unfolding Spring, 1951, Oil on Canvas, Vassar’s Frances Lehman Loeb Art Center
Walker Art Center
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Rose Planes, 1945, Oil on Parchment, Walker Art Center
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Composition, 1948, Graphite on Paper, Walker Art Center
Hirshhorn Museum and Sculpture Garden
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Bright Depths, 1950, Oil on Canvas, Hirshhorn Museum and Sculpture Garden
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Two Becomes One, 1951, Casein on Fiberboard with Painted Glass in Artist’s Painted Wood Frame, Hirshhorn Museum and Sculpture Garden
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Efflorescence of Space, 1959, Gouache on Paper Mounted to Paperboard, Hirshhorn Museum and Sculpture Garden
Brooklyn Museum
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Somewhere Today, 1952, White Marker on Magenta Colored Paper, Brooklyn Museum
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Light Extending Itself, 1964, Oil on Canvas, Brooklyn Museum
Works at Other Locations
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Abstraction, 1940, Oil on Canvas, Honolulu Museum of Art
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Three White Squares, 1940, Oil on Canvas, Private Collection
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Untitled (Two Triangles), 1940, Oil and Pigmented Varnish on Canvas, Philadelphia Museum of Art
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Transversion, 1946, Ceramic Fluid and Porcelain Cement on Corrugated Glass on Panel of Oil on Hardboard, Phillips Collection
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Undulating Arrangement, 1948, Oil on Masonite and Glass, Wadsworth Atheneum Collection
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Vacillating Progression, 1949, Oil and Plastic Paint on Glass, Munson-Williams-Proctor Art Institute
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Evaporating Night, 1951, Oil on Canvas, Dallas Museum of Art
