This essay from the Neuberger Collection explores Pereira’s critique of abstract expressionism, which turned some of the leading critics of

Rare informal photos of Irene Rice Pereira, Provincetown, MA, 1935, and her younger sister, Dorothy, Brooklyn, 1935; Pereira visited North

The D. Wigmore Gallery in Manhattan has just mounted a small, highly focused and penetrating examination of Pereira’s works on

An art student introduces a video study of Irene Rice Pereira’s Spirit of Unity.  

This early (1939) geometric abstraction in the collection of the Metropolitan Museum in Manhattan was executed on the eve of her

A sweeping 2017 survey of non-objective art at Leila Heller Gallery included Irene Rice Pereira’s Seven Red Squares, and rarely seen

. This Smithsonian article and its links are well worth studying. They address Irene Rice Pereira’s absorption in the Bauhaus

Irene Rice Pereira’s masterpiece, Shooting Stars, is hanging in the Lila Acheson Wallace Wing of The Metropolitan Museum. In the

Welcome to the official website of Irene Rice Pereira (1902-1971). I. Rice Pereira, as she was known, was one of

NICE COLLECTION OF IMAGES

Mid-Century Modernism: Origins and Evolution, a lecture scheduled by the Detroit Institute of Arts April 27, 2010, examined the work

A newly conserved parchment painting by Irene Rice Pereira, Composition In White, was among the works shown in an exhibition

NO LINK TO LETTER

Pereira’s Rose Planes, 1945, is one of more than 108,000 images from the AMICA (formerly The Art Museum Image Consortium

I. Rice Pereira’s third husband, George Reavey, was the first translator into English of Doctor Zhivago, by Boris Pasternak. Reavey,

Three White Squares, a 1940 Pereira oil painting, was on exhibit at The D. Wigmore Fine Art Inc., 730 Fifth

Champions of Modernism III, an exhibition of non-objective modernists, begins at Wendt Modern in Laguna Beach, California, May 9. Works

Women Artists by Margaret Barlow (Rizzoli, 2008, 328 pp) offers an insightful appreciation of Pereira’s career and a color plate

Jim Burns, the English poet, is a scholar of the Beat and Jazz eras. He is for this reason of

Vacillating Progression, a Pereira oil on layers of coruscated glass is one of the artist’s best works. Displayed at The

A 1964 Pereira oil painting, Light Extending Itself, is part of the Non-Objective Art exhibition at The Brooklyn Museum. This

The Pereira archive at the Schlesinger Library, Radcliffe Institute, Harvard University, is receiving a significant addition of documents and photographs.

Pereira’s “Study for a Rug” was exhibited May 11-August 19, 2007, at the new Donald W. Reynolds Visual Arts Center

Irene Rice Pereira’s Spirit of Space (1957) was included in the exhibition “femme brut(e)” September 14, 2006, through February 4,