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	<title>Irene Rice Pereira - Official Site &#187; News</title>
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	<link>http://www.irenericepereira.com</link>
	<description>1902 - 1971</description>
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		<title>Parchment painting in Newark show</title>
		<link>http://www.irenericepereira.com/archives/61</link>
		<comments>http://www.irenericepereira.com/archives/61#comments</comments>
		<pubDate>Thu, 04 Feb 2010 02:32:23 +0000</pubDate>
		<dc:creator>Djelloul Marbrook</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Abstract Art]]></category>
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		<category><![CDATA[Karen A. Bearor]]></category>
		<category><![CDATA[Newark Museum]]></category>
		<category><![CDATA[Parchment painting]]></category>

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		<description><![CDATA[A newly conserved parchment painting by Irene Rice Pereira, Composition In White, was among the works shown in an exhibition at the Newark Museum called Constructive Spirit, Abstract Art in South and North America, 1920s-50s. The show opened Feb. 17, 2010, and closed May 23, 2010. Dr. Karen A. Bearor, Pereira&#8217;s biographer, contributed an essay to [...]]]></description>
			<content:encoded><![CDATA[<p><a title="Newark Museum, Irene Rice Pereira, I. Rice Pereira" href="http://www.newarkmuseum.org/" target="_blank">A newly conserved parchment painting</a> by Irene Rice Pereira, Composition In White, was among the works shown in an exhibition at the Newark Museum called <a href="http://www.newarkmuseum.org/ConstructiveSpirit.html">Constructive Spirit, Abstract Art in South and North Americ</a>a, 1920s-50s. The show opened Feb. 17, 2010, and closed May 23, 2010. <a title="Karen Anne Bearor, I. Rice Pereira, Irene Rice Pereira" href="http://books.google.com/books?id=WP1umc0heEYC&amp;printsec=frontcover&amp;dq=bearor%2Bpereira&amp;source=bl&amp;ots=aKLRBcwqhC&amp;sig=ClubDVlKjpglAifEprRWefQXsWo&amp;hl=en&amp;ei=ki9qS4OJLZOWtgfH-MnfBg&amp;sa=X&amp;oi=book_result&amp;ct=result&amp;resnum=1&amp;ved=0CAcQ6AEwAA#v=onepage&amp;q=&amp;f=false" target="_blank">Dr. Karen A. Bearor</a>, Pereira&#8217;s biographer, contributed an essay to the catalogue entitled<em> Light Play in Abstract Art and Film.</em> In her essay she discusses Pereira&#8217;s work in relationship to other artists in the show who were also interested in light and light projection.</p>
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		<title></title>
		<link>http://www.irenericepereira.com/archives/42</link>
		<comments>http://www.irenericepereira.com/archives/42#comments</comments>
		<pubDate>Wed, 09 Dec 2009 16:21:50 +0000</pubDate>
		<dc:creator>Djelloul Marbrook</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Three White Squares, a 1940 Pereira oil painting, is on exhibit at The D. Wigmore Fine Art Inc., 730 Fifth Avenue, New York City, in an exhibition called Explorations in Black and White: The 1930s through the 1960s. This painting has been reproduced frequently and was included in the seminal 1953 Loren MacIver/I. Rice Pereira [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_43" class="wp-caption alignnone" style="width: 507px"><img class="size-medium wp-image-43" title="ThreeWhiteSquares" src="http://www.irenericepereira.com/wp-content/uploads/2009/12/ThreeWhiteSquares-300x284.jpg" alt="Three White Squares" width="497" height="469" /><p class="wp-caption-text">Three White Squares</p></div>
<p><em>Three White Squares,</em> a 1940 Pereira oil painting, is on exhibit at The D. <a title="D. Wigmore Fine Art Inc." href="http://www.artnet.com/Galleries/Home.asp?G=&amp;gid=1130&amp;which=&amp;rta=http://www.artnet.com" target="_blank">Wigmore </a>Fine Art Inc., 730 Fifth Avenue, New York City, in an <a title="D. Wigmore Fine Art Inc., I. Rice Pereira" href="http://www.designtaxi.com/news.php?id=29822&amp;page=8" target="_blank">exhibition</a> called <em>Explorations in</em> <em>Black and White: The 1930s through the 1960s.</em> This painting has been reproduced frequently and was included in the seminal 1953 Loren MacIver/I. Rice Pereira restrospective at The Whitney Museum. The show will continue through December 23, 2009.</p>
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		<title>Women Artists</title>
		<link>http://www.irenericepereira.com/archives/36</link>
		<comments>http://www.irenericepereira.com/archives/36#comments</comments>
		<pubDate>Tue, 14 Apr 2009 20:03:48 +0000</pubDate>
		<dc:creator>Djelloul Marbrook</dc:creator>
				<category><![CDATA[Archives]]></category>
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		<description><![CDATA[Women Artists by Margaret Barlow (Rizzoli, 2008, 328 pp) offers an insightful appreciation of Pereira&#8217;s career and a color plate of the rarely reproduced What Is Substance? Ms. Barlow is co-editor of the Woman&#8217;s Art Journal. The journal is associated with the Institute for Women and Art at Rutgers. Pereira wrote extensively about the concept [...]]]></description>
			<content:encoded><![CDATA[<p><a title="Women Artists, Margaret Barlow, Rizzoli, I. Rice Pereira" href="http://www.amazon.com/Women-Artists-Margaret-Barlow/dp/0883633981" target="_blank"><em>Women Artists</em></a> by Margaret Barlow (Rizzoli, 2008, 328 pp) offers an insightful appreciation of Pereira&#8217;s career and a color plate of the rarely reproduced <em>What Is Substance?</em></p>
<p>Ms. Barlow is co-editor of the <a title="Woman's Art Journal, Rutgers, Margaret Barlow, I. Rice Pereira" href="http://womansartjournal.org/" target="_blank"><em>Woman&#8217;s Art Journal</em>.</a> The journal is associated with the <a title="Institute for Women and Art at Rutgers" href="http://iwa.rutgers.edu/" target="_blank">Institute for Women and Art at Rutgers.</a></p>
<p>Pereira wrote extensively about the concept of substance and the <a title="Bodleian Library, I. Rice Pereira papers, Irene R. Pereira papers" href="http://www.bodley.ox.ac.uk/dept/scwmss/wmss/online/modern/pereira/pereira.html" target="_blank">Bodleian Library</a> at Oxford University, UK, has twelve volumes of Pereira notes on the subject.</p>
<p>Women&#8217;s Arts Journal.</p>
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		<title>Pereira on West Coast</title>
		<link>http://www.irenericepereira.com/archives/33</link>
		<comments>http://www.irenericepereira.com/archives/33#comments</comments>
		<pubDate>Tue, 14 Apr 2009 19:43:54 +0000</pubDate>
		<dc:creator>Djelloul Marbrook</dc:creator>
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		<description><![CDATA[Champions of Modernism III, an exhibition of non-objective modernists, begins at Wendt Modern in Laguna Beach, California, May 9. Works by Pereira will be shown with works by Rudolph Bauer, Hilla Rebay, Rolph Scarlett, Seymour Fogel, Mary Ann Strandell, Xanti Schawinsky, Victor Matthews, Peter Vogel, Daniel Villenueve and Gary Stephan. The show, which will continue [...]]]></description>
			<content:encoded><![CDATA[<p><a title="Wendt Modern, Laguna Beach, CA, I. Rice Pereira, Steven Lowy, Portico, Serina Manqueros, Rudolph Bauer, Rolph Scarlett" href="http://www.wendtmodern.com/press.php" target="_blank">Champions of Modernism III</a>, an exhibition of non-objective modernists, begins at Wendt Modern in Laguna Beach, California, May 9. Works by Pereira will be shown with works by Rudolph Bauer, Hilla Rebay, Rolph Scarlett, Seymour Fogel, Mary Ann Strandell, Xanti Schawinsky, Victor Matthews, Peter Vogel, Daniel Villenueve and Gary Stephan.</p>
<p>The show, which will continue through June 15, is co-curated by Serina Manqueros, owner of Wendt Gallery, and <a title="Portico, Manhattan art gallery, curatorial services, Steven Lowy, I. Rice Pereira, Rudolph Bauer" href="http://www.porticony.com/" target="_blank">Steven Lowy of Portico</a>, Manhattan, curator of the Bauer estate and a Pereira expert.</p>
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		<title>Pereira in Baruch College gift</title>
		<link>http://www.irenericepereira.com/archives/27</link>
		<comments>http://www.irenericepereira.com/archives/27#comments</comments>
		<pubDate>Sun, 13 Apr 2008 21:14:04 +0000</pubDate>
		<dc:creator>Djelloul Marbrook</dc:creator>
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		<description><![CDATA[Among a small group of art works donated by Sidney Mishkin to his alma mater, Baruch College, is Irene Rice Pereira’s Affluent Surface. Other paintings in this highly refined selection are Max Ernst’s Mother and Daughter, Barbara Hepworth’s Bimorphic, Marsden Hartley’s Mount Katahdin—Snowstorm, Alfred Henry Maurer’s Two Women and Girl in Grey, Georges Mathieu’s Festival [...]]]></description>
			<content:encoded><![CDATA[<p>Among a small group of art works donated by <a target="_blank" title="Sidney Mishkin, art collector, Baruch College, accountant" href="http://www.baruch.cuny.edu/mishkin/collecting/sidney.html">Sidney Mishkin</a> to his alma mater, <a target="_blank" title="Baruch College art collection, Sidney Mishkin gift" href="http://www.baruch.cuny.edu/mishkin/collecting/donations.html">Baruch College,</a> is Irene Rice Pereira’s <em>Affluent Surface</em>. Other paintings in this highly refined selection are <a target="_blank" title="Max Ernst, German modernist painter" href="http://www.maxernst.com/">Max Ernst’s </a><em>Mother and</em> <em>Daughter</em>, Barbara Hepworth’s <em>Bimorphic,</em> <a target="_blank" title="Marsden Hartley, American artist" href="http://wwar.com/masters/h/hartley-marsden.html">Marsden Hartley’s</a> <em>Mount</em> <em>Katahdin—Snowstorm,</em> <a target="_blank" title="Alfred Henry Maurer, American artist, Phillips Collection" href="http://www.phillipscollection.org/american_art/bios/maurer_a-bio.htm">Alfred Henry Maurer’s </a><em>Two Women</em> and <em>Girl in Grey</em>, <a target="_blank" title="Georges Mathieu, French modernist painter" href="http://wwar.com/masters/m/mathieu-georges.html">Georges Mathieu’s</a> <em>Festival in Norwich,</em> and untitled works by<br />
<a target="_blank" title="Alexander Calder, American sculptor" href="http://calder.org/home">Alexander Calder</a> and <a target="_blank" title="Roberto Sebastian Antonio Matta Echauren, modernist artist" href="http://www.matta-art.com/bio.htm">Roberto Sebastian Antonio Matta Echauren.</a></p>
<p>Djelloul Marbrook, Pereira’s nephew, said of the gift that it would have pleased Pereira on several counts, not the least being that she spent a good part of her life painting in a studio an easy walk from Baruch’s present location. He remarked that Pereira thought highly of Ernst, Hartley, Hepworth, Matta and Calder.</p>
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		<title>Light Extending Itself</title>
		<link>http://www.irenericepereira.com/archives/25</link>
		<comments>http://www.irenericepereira.com/archives/25#comments</comments>
		<pubDate>Sat, 12 Apr 2008 15:03:57 +0000</pubDate>
		<dc:creator>Djelloul Marbrook</dc:creator>
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		<description><![CDATA[A 1964 Pereira oil painting, Light Extending Itself, is part of the Non-Objective Art exhibition at The Brooklyn Museum. This exhibition is itself part of the larger Modern Life exhibition on the 5th floor. Light Extending Itself is the gift of Howard Weingrow. Pereira had a special connection to Brooklyn. She, her two sisters, brother [...]]]></description>
			<content:encoded><![CDATA[<p>A 1964 Pereira oil painting, <em>Light Extending Itself</em>, is part of the Non-Objective Art exhibition at <a target="_blank" title="Brooklyn Museum, Irene Rice Pereira, non-objective art" href="http://www.brooklynmuseum.org/">The Brooklyn Museum.</a> This exhibition is itself part of the larger Modern Life exhibition on the 5th floor. <em>Light</em> <em>Extending Itself</em> is the gift of Howard Weingrow.</p>
<p>Pereira had a special connection to Brooklyn. She, her two sisters, brother and mother lived near the museum when Pereira first went to work as secretary to help support the family. She and her younger sister, the artist <a title="Juanita Guccione, American artist, Surrealist, sister of Irene Rice Pereira" target="_blank" href="http://www.juanitaguccione.com">Juanita Guccione</a>, then called Anita Rice, followed their younger sister, Dorothy, into art studies, but Dorothy died in her early thirties.</p>
<p>Both Irene and Anita studied at Pratt Institute and traveled to North Africa in the 1930s. Irene visited various places in Morocco and Algeria. Anita settled in Bou Saada, Algeria, for several years. Their experience of<br />
the quality of light in North Africa had a lasting impact on their work.</p>
<p>In 1935-6, Anita, who then painted under the name Juanita Marbrook, exhibited a number of paintings she had made in Algeria in The Brooklyn Museum. The work received considerable media attention at the time. These works are now part of 174 oils, watercolors and drawings permanently exhibited in Algiers by Sonatrach, the Algerian national energy company. It is believed the artist is the first American woman painter to receive this kind of attention by a Muslim nation.</p>
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		<title>New Schlesinger documents</title>
		<link>http://www.irenericepereira.com/archives/24</link>
		<comments>http://www.irenericepereira.com/archives/24#comments</comments>
		<pubDate>Wed, 10 Jan 2007 19:44:34 +0000</pubDate>
		<dc:creator>Djelloul Marbrook</dc:creator>
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		<description><![CDATA[The Pereira archive at the Schlesinger Library, Radcliffe Institute, Harvard University, is receiving a significant addition of documents and photographs. Djelloul Marbrook, the artist’s nephew, recently discovered two boxes of papers and photographs overlooked in his initial donation of the Pereira papers to the Schlesinger. The original papers were given to the Schlesinger after the [...]]]></description>
			<content:encoded><![CDATA[<p>The Pereira archive at the Schlesinger Library, Radcliffe Institute, Harvard University, is receiving a significant addition of documents and photographs.</p>
<p>Djelloul Marbrook, the artist’s nephew, recently discovered two boxes of papers and photographs overlooked in his initial donation of the <a target="_blank" title="Irene Rice Pereira papers, Schlesinger Library" href="http://www.radcliffe.edu/schles">Pereira papers</a> to the Schlesinger.</p>
<p>The original papers were given to the Schlesinger after the artist’s death in 1971 and subsequently Mr. Herrick Jackson made a grant to the library to pay for organizing the archive. The library is located in Cambridge, Massachusetts.</p>
<p>Ms. Kathryn Allamong Jacob, Schlesinger curator of manuscripts, said, “We are excited at the prospect of seeing this wonderful collection grow.”</p>
<p>The artist’s personal library resides at the <a target="_blank" title="Irene Rice Pereira Library, National Museum of Women in the Arts, Washington, DC" href="http://www.nmwa.org/library/irenerice.asp">National Museum for Women in the Arts</a> in Washington, DC.</p>
<p>This is the Schlesinger Library’s official description of its Pereira holdings:</p>
<p>Author :  Pereira, I. Rice (Irene Rice), 1902-1971<br />
Title : Papers, 1929-1976 (inclusive)</p>
<p>Finding aids : Unpublished finding aid.<br />
Description : 10 linear ft.<br />
History notes : Abstract painter, poet, and philosopher, Pereira was a major figure in the art world from 1930. She worked with the WPA Federal Art Project in New York, 1935-1939; in the 1940s she experimented with new media (glass, plexiglass, and plastic) of the constructivist school; and in the 1950s she returned to paint and canvas. She published numerous books on aesthetics and the philosophy of art. For further biographical information, see Notable American Women: The Modern Period (1980).<br />
Summary : Correspondence, manuscripts of her writings, notebooks on philosophy, articles, poems, painting inventories, photos, both personal and of art work, exhibition catalogs, financial records, grant applications, and printed material pertain to Pereira&#8217;s interests and career.<br />
Restrictions : At least one location has information and/or restrictions on access. Click on the holdings link(s) for specific information.<br />
Notes : Portions of the collection are available on microfilm at the Archives of American Art.<br />
Cite as : I. Rice Pereira Papers. Schlesinger Library, Radcliffe Institute, Harvard university.</p>
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		<title>Welcome</title>
		<link>http://www.irenericepereira.com/archives/17</link>
		<comments>http://www.irenericepereira.com/archives/17#comments</comments>
		<pubDate>Thu, 28 Sep 2006 01:00:03 +0000</pubDate>
		<dc:creator>Djelloul Marbrook</dc:creator>
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		<description><![CDATA[window.document.getElementById('post-17').parentNode.className += ' adhesive_post';Welcome to the official website of Irene Rice Pereira (1902-1971). I. Rice Pereira, as she was known, was one of the foremost modernist artists of the 20th Century. Her paintings can be found in museums around the world. The purpose of this website is to direct inquirers to her paintings, publications about [...]]]></description>
			<content:encoded><![CDATA[<script type="text/javascript">window.document.getElementById('post-17').parentNode.className += ' adhesive_post';</script><p><img width="160" height="237" alt="pereira1.jpg" id="image16" src="http://www.irenericepereira.com/wp-content/uploads/2006/09/pereira1.jpg" />Welcome to the official website of Irene Rice Pereira (1902-1971). I. Rice Pereira, as she was known, was one of the foremost modernist artists of the 20th Century. Her paintings can be found in museums around the world. The purpose of this website is to direct inquirers to her paintings, publications about her, museums and galleries exhibiting her work, archives and relevant websites. One of those sites, <a target="_blank" title="Juanita Guccione, artist" href="http://www.juanitaguccione.com">www.juanitaguccione.com</a>, is devoted to the painting career of her sister. Correspondence and original appreciations of Irene Rice Pereira’s work and life are invited.</p>
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		<title>Oklahoma City Museum of Art</title>
		<link>http://www.irenericepereira.com/archives/10</link>
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		<pubDate>Wed, 27 Sep 2006 22:37:14 +0000</pubDate>
		<dc:creator>Djelloul Marbrook</dc:creator>
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		<description><![CDATA[Pereira&#8217;s &#8220;Study for a Rug&#8221; was exhibited May 11-August 19, 2007, at the new Donald W. Reynolds Visual Arts Center in the Oklahoma City Museum of Art as part of the exhibition, &#8220;Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961-1968.&#8221; The Oklahoma City Museum bought the entire WGMA collection of 153 [...]]]></description>
			<content:encoded><![CDATA[<p><img alt="Study for a Rug" id="image12" src="http://www.irenericepereira.com/wp-content/uploads/2006/09/study-for-a-rug.jpg" />Pereira&#8217;s &#8220;Study for a Rug&#8221; was exhibited May 11-August 19, 2007, at the new Donald W. Reynolds Visual Arts Center in the Oklahoma City Museum of Art as part of the exhibition, &#8220;Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961-1968.&#8221; The <a target="_blank" title="Oklahoma City Museum of Art" href="http://www.okcmoa.com">Oklahoma City Museum</a> bought the entire WGMA collection of 153 works in 1968 when the WGMA merged with the Corcoran Gallery of Art in Washington.</p>
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		<title>&#8220;Spirit of Space&#8221; in Exhibition</title>
		<link>http://www.irenericepereira.com/archives/1</link>
		<comments>http://www.irenericepereira.com/archives/1#comments</comments>
		<pubDate>Sat, 09 Sep 2006 08:55:21 +0000</pubDate>
		<dc:creator>Djelloul Marbrook</dc:creator>
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		<description><![CDATA[Irene Rice Pereira’s Spirit of Space (1957) was included in the exhibition &#8220;femme brut(e)&#8221; September 14, 2006, through February 4, 2007, at the Lyman Allyn Art Museum, 625 Williams Street, New London, CT, tel (860) 443-2545 (http://www.lymanallyn.org/exhibitions.html)]]></description>
			<content:encoded><![CDATA[<p><img alt="Spirit of Space" id="image9" src="http://www.irenericepereira.com/wp-content/uploads/2006/09/news1.gif" />Irene Rice Pereira’s Spirit of Space (1957) was included in the exhibition &#8220;<em>femme brut(e)</em>&#8221; September 14, 2006, through February 4, 2007, at the Lyman Allyn Art Museum, 625 Williams Street, New London, CT, tel (860) 443-2545  (<a target="_blank" onclick="return top.js.OpenExtLink(window,event,this)" href="http://www.lymanallyn.org/exhibitions.html">http://www.lymanallyn.org/exhibitions.html</a>)</p>
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