Author Archive for Djelloul Marbrook Archive Page 0

Mid-Century Modernism: Origins and Evolution, a lecture scheduled by the Detroit Institute of Arts at 6:30April 27th, will examine the work of Irene Rice Pereira and several of her peers. By 1955 many American artists, architects, and designers broke free of European precedents and developed distinctively American forms of modernism. Independent curator Susan Larsen looks [...]

Pereira highlighted at Wendt

One of the highlights of Modern Masters at Wendt Gallery in Manhattan this October is Transforming Night (left), an oil painting by I. (Irene) Rice Pereira. It was included in a 1953 Whitney Museum retrospective exhibition of her work and that of Loren MacIver. Modern Masters is a second edition of the gallery’s inaugural Non-Objective [...]

A newly conserved parchment painting by Irene Rice Pereira, Composition In White, was among the works shown in an exhibition at the Newark Museum called Constructive Spirit, Abstract Art in South and North America, 1920s-50s. The show opened Feb. 17, 2010, and closed May 23, 2010. Dr. Karen A. Bearor, Pereira’s biographer, contributed an essay to [...]

Work by Irene Rice Pereira was included in Body, Line, Motion: Selections from the Permanent Collection at the Samuel Dorsky Museum in New Paltz, New York from Jan. 10 to Apr. 11, 2010. This exhibition opened Friday, February 5, 2010 the same day the artist was featured in an exhibition in Manhattan at the new [...]

Irene Rice Pereira was uncommonly aware of the culture in which she worked, as an index of the correspondence of the cultural critic Parker Tyler at The New York Public Library shows.The archive contains a letter from Pereira written in 1966. It is contained on page 14 of a pdf file. Tyler was well known [...]

Pereira’s Rose Planes, 1945, is one of more than 108,000 images from the AMICA (formerly The Art Museum Image Consortium Library). More than 20 museums participate in this project. Rose Planes is owned by The Walker Art Center in Minneapolis, MN.

I. Rice Pereira’s third husband, George Reavey, was the first translator into English of Boris Pasternak’s Doctor Zhivago. Reavey, an Irish poet and close friend of the Welsh poet Dylan Thomas, had been Great Britain’s cultural attache in Moscow during World War II. The Davis Museum and Cultural Center at Welleseley College in Massachusetts is [...]

Three White Squares, a 1940 Pereira oil painting, is on exhibit at The D. Wigmore Fine Art Inc., 730 Fifth Avenue, New York City, in an exhibition called Explorations in Black and White: The 1930s through the 1960s. This painting has been reproduced frequently and was included in the seminal 1953 Loren MacIver/I. Rice Pereira [...]

The Smithsonian Institution has a unique audio interview with Irene Rice Pereira conducted by Arlene Jacobowitz. It was made July 26, 1966, five years before the artist’s death in Marbella, Spain. She was living at the time at her long-time studio on the top floor of a brownstone at 121 West 15th Street and was [...]

Women Artists by Margaret Barlow (Rizzoli, 2008, 328 pp) offers an insightful appreciation of Pereira’s career and a color plate of the rarely reproduced What Is Substance? Ms. Barlow is co-editor of the Woman’s Art Journal. The journal is associated with the Institute for Women and Art at Rutgers. Pereira wrote extensively about the concept [...]






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